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The future has never looked older

Tyler Coburn

Ergonomic Futures

However convincingly space agencies justify the enormous budgets, there’s one gratuitous expense: training astronauts for free fall.

Nothing under the sun, no matter how unbelievable or fantastic, is immune to the pressures of evolution. Take science-fiction. The Force, the mind meld—the entire field of psionics, for that matter—have the look of yellowing comic books, the taste of stale popcorn. They would have gone the way of the dodo, if not for the magic of capital. Hollywood has proved to be more powerful than natural selection, building menageries in the form of franchises, gilding cages for endangered ideas....

ABO

Current Texts

When life’s hard, time’s a motherfucker going slow

Soham Gupta

In his photographs and texts, Calcutta-based Soham Gupta forces the tension that arises between fiction and real-life conditions in as yet unseen ways. ABO DE FR

Dennis Cooper, Donatien Grau, ...

“I don’t believe in progress, no.” OPEN
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Eric Baudelaire

We cannot assume that all government/terrorist interactions will take the form of a two-person zero-sum game. OPEN
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Simon Critchley

Iggy showed the error of human existence, the breathless nearness of death, and the lure of fun and action. He was like a much better-looking version of Schopenhauer. ABO

Current Texts

Zoran Terzić

Symbolical transplants are necessary

Strangeness is everywhere, but strangers are only where we define them.

ABO DE FR

Current Texts

»Self-censorship is the worst.«

»Three hundred people left The House that Jack Built. I think that’s very good, and it wasn’t Cannes.«

ABO DE

Evil
film d'auteur
contemporary art
cinema
film

Magazine Online

Donatien Grau, Pierre Guyotat
Conversation
»By using voices I have rediscovered what we call humanity.« OPEN
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News + Events

ESPACE DIAPHANES Berlin:<br>Art, Magazine, Books

ESPACE DIAPHANES Berlin:
Art, Magazine, Books

New releases

Sigrid Adorf (ed.), Sønke Gau (ed.), ...: going public.

Jürgen Brokoff (ed.), Karin Gludovatz (ed.), ...: Intervenierende Künste

Eva Backhaus (ed.), Grit Dommes (ed.), ...: Dynamics of the Intransitive

Anna-Lisa Dieter (ed.), Veronica Strang, ...: On Water

Fabienne Liptay (ed.), Giuseppe di Salvatore (ed.): The Sirenic: Follow the Sound, Follow the Water

Kevin B. Lee (ed.), Marine de Dardel (ed.), ...: The Future of Reality

THINK ART? THINK ART!

Monograph

Studien zur Bildlichkeit des Films

Filmbetrachtung hat es zunächst mit materiellen Sichtbarkeiten zu tun, mit Bildern, die dem Blick gegeben sind, bevor sie zu erzählen...

Fabienne Liptay

Telling Images

Anthology

Zu einer Poetik des Seriellen

Zugleich Gegenstand und Verfahren, setzt das serielle Denken, wie es sich in diesem Band abzeichnet, mithin eine Reihe von sonst...

Elisabeth Bronfen (ed.), Christiane Frey (ed.), David Martyn (ed.)

Noch einmal anders

Monograph

Über das Denken der Kunst

Von der Kunst als Forschung und der Forschung als Kunst ist spätestens seit den 1990er Jahren die Rede. Das Konzept sucht die Künste und Wissenschaften in ihrer Arbeitsweise einander anzunähern, doch wird dabei kaum die Frage gestellt, welche Art von Wissen die Künste im Unterschied zu den Wissenschaften hervorbringen. Dieter...

Dieter Mersch

Epistemologien des Ästhetischen

Monograph

One plus one equals other

For an aesthetic mode of thought beyond the “linguistic turn”

Dieter Mersch

Epistemologies of Aesthetics

Topics

The Subject of Capitalism
- capitalism
- subjectification
- cognitive capital
- migration
Color and meaning
Who is afraid of Red, Yellow, Blue…?
- color
- chromatics / colour science
- semiotics and semiology
- monochrome
- image and imagery
Observing the Spectator
- observer
- mirror
- optical illusion
- gaze
Autofiction—Metafiction
- autofiction
- memory
- fiction
- autobiography
- Theory of fiction

Current Texts

Michele Pedrazzi

Il testo ignoto è una promessa

Cosa porterà il prossimo bit? Sconvolgenti novità? Semplice ridondanza?

OPEN
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electronic music
time
reading
music
media theory

Current Texts

Dan-el Padilla Peralta

Capitalism sucks. Tag everything.

it seemed like we’d just been in some horrible dream

OPEN
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Current Texts

Jelili Atiku, Damian Christinger

The key to survival will lay in female hands. OPEN
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Slavs and Tatars

To what extent can a revolution of the inner world impact the external, material world surrounding us? OPEN
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“Fuck that thing.” That’s all punk needs.

Donatien Grau, James Spooner

“The thing about punk is that you’re allowed to talk about anything. Kids can talk about whatever they want. There’s nobody saying, ‘No, you can’t do that, it’s not punk.’” OPEN
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Artur Zmijewski

“There is something deeply humiliating in such a situation.” OPEN
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Books

Shusha Niederberger (ed.), Cornelia Sollfrank (ed.), ...: Aesthetics of the Commons

Kieran Aarons (ed.), Reiner Schürmann, ...: The Place of the Symbolic

Mathias Denecke (ed.), Holger Kuhn (ed.), ...: Liquidity, Flows, Circulation

Antonin Artaud, Stephen Barber (ed.): A Sinister Assassin

Antonin Artaud, Stephen Barber (ed.): Last Writings of Antonin Artaud

Antonin Artaud, Stephen Barber (ed.): Watchfiends and Rack Screams

Skin marks us in the world

Eduardo Jorge de Oliveira

Invented Skins

First, before you invent a skin, you are born with a skin; second, you can make a skin when you have one.

You never know how many skins you have had by having a single skin. However, this skin has an inseparable memory of the future. Its vital movement depends on this dynamic that inserts it in a specific present. Thus, if skin makes us human, it is also a set of points that mark different ways of feeling. We feel the world through the fragility of our skin. Microorganisms exist in this skin. The most human portion also contains inhuman matter...