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The future has never looked older
The future has never looked older

Tyler Coburn

Ergonomic Futures

Nothing under the sun, no matter how unbelievable or fantastic, is immune to the pressures of evolution. Take science-fiction. The Force, the mind meld—the entire field of psionics, for that matter—have the look of yellowing comic books, the taste of stale popcorn. They would have gone the way of the dodo, if not for the magic of capital. Hollywood has proved to be more powerful than natural selection, building menageries in the form of franchises, gilding cages for endangered ideas....
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Eric Baudelaire

A for Anomie

A for Anomie

The idea that terrorism and other forms of political violence are directly related to strains caused by strongly held grievances has been one of the most common explanations to date and can be traced to a diverse set of theoretical concepts including relative deprivation, social disorganization, breakdown, tension, and anomie. Merton (1938) identifies anomie as a cultural condition of frustration, in which values regarding goals and how to achieve them conflict with limitations on the means of achievement.

Gary LaFree and Laura Dugan, “Research on Terrorism and Countering Terrorism”, Crime and Justice, Vol. 38, No. 1, 2009.

 

B for Block or Blocked

If terrorism in each of its expressions can be considered an indicator of the existence of a political block (of an impossibility of reacting if one wishes to react differently), this influences its real ability to modify the situation. Terrorism has been historically more successful when it was not...

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How can withdrawal be represented?
How can withdrawal be represented?

Sebastián Eduardo Dávila (ed.), Rebecca Hanna John (ed.), ...

On Withdrawal—Scenes of Refusal, Disappearance, and Resilience in Art and Cultural Practices

How can withdrawal—meaning either that which withdraws itself, or which is being withdrawn—be represented, thus made visible and negotiable? This publication takes this paradox as its starting point, which remains present as a tension throughout. The book aims to draw constellations of different instances of withdrawal, ranging from passivity, failure, and refusal to disappearance and remembrance and to resilience and resistance. Understanding withdrawal as a concept that encompasses both cutting ties and reaffirming relations, the contributions collected here trace the...
  • resistance
  • protest movements
  • artistic practice
  • contemporary art
Current Texts

Tom McCarthy

Ecstasy of inauthenticity

The question of authenticity and I go back some way; we’re old sparring partners – frenemies. It’s been a fraught relationship, shot through with paradox and misconstruing. My first novel, Remainder, does turn around its protagonist’s obsession with becoming ‘real’, inhabiting his era or his city, building, skin, movements and gestures in a ‘first-hand’ or ‘authentic’ way, an obsession which he carries to the point of murder. Yet the pleasure of seeing this book receiving glowing press reviews that praised it for its ‘originality’ and ‘true’-ness was tinged with an awareness of something being odd or ‘off’, since Remainder is in fact the most un-original of novels, a novel about non-originality and simulacra that’s quite blatantly composed of set tropes and constructed situations reprised and, only slightly modified, replayed from sources ranging from Ballard’s Crash and Beckett’s Godot back to Sterne’s Tristram Shandy (Uncle Toby’s domestic re-stagings of battle terrains)...

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  • identity
  • contemporary literature
  • Jacques Lacan
  • psychoanalysis